• THE SHUTTER
    • HAROLD EDGERTON
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    • HIROSHI SUGIMOTO
    • EADWEARD MUYBRIDGE
    • O. WINSTON LINK
    • RONI HORN
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    • LAURA LETINSKY
    • SUSAN WORSHAM
    • JESSICA LABATTE
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    • RODCHENKO
  • RESOURCES
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  • THE SHUTTER
    • HAROLD EDGERTON
    • PHILIP-LORCA diCORCIA
    • HIROSHI SUGIMOTO
    • EADWEARD MUYBRIDGE
    • O. WINSTON LINK
    • RONI HORN
  • STILL LIVES
    • LAURA LETINSKY
    • SUSAN WORSHAM
    • JESSICA LABATTE
  • THE VIEWFINDER
    • FLORENCE HENRI
    • ILSE BING
    • RODCHENKO
  • RESOURCES
    • PUBLICATIONS AND BLOGS
    • MUSEUMS
    • ALTERNATIVE SPACES
    • GALLERIES

SIX-TEN.ORG

IMAGING WHAT WE CANNOT SEE: EXPLOSIONS IN THE PRE-BLINK OF AN EYE

October 23, 2014  /  Eileen Mueller

Atomic bomb explosion photographed by Edgerton and his colleagues at EG&G, likely at the Nevada Proving Grounds, on commission for the Atomic Energy Commission; circa 1952. 

Atomic bomb explosion photographed by Edgerton and his colleagues at EG&G, likely at the Nevada Proving Grounds, on commission for the Atomic Energy Commission; circa 1952. 

Alright so jumping away from reeeeeally long exposures let's talk about ridiculously short exposures. Like a millisecond. Like so fast that by the time YOU reached for your little camera the event captured was all ready over. Here we have Harry Edgerton's high-speed photographs of atomic tests. Commissioned by the Atomic Energy Commission Edgerton developed the Rapatronic shutter allowing a camera to capture incredibly high speed events. As an example, for the image above the shutter was only open for 1/100,000,000 of a second. This is the atomic explosion only a millisecond after the explosion before the iconic mushroom cloud stage that we associate with atomic explosions. Click on the image above for more information on Egerton's work.

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IMAGING WHAT WE CANNOT SEE: MOVEMENT
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IMAGING WHAT WE CANNOT SEE: TEMPERATURE (AND THE WHOLE UNIVERSE AND THE PAST AND STUFF)