• THE SHUTTER
    • HAROLD EDGERTON
    • PHILIP-LORCA diCORCIA
    • HIROSHI SUGIMOTO
    • EADWEARD MUYBRIDGE
    • O. WINSTON LINK
    • RONI HORN
  • STILL LIVES
    • LAURA LETINSKY
    • SUSAN WORSHAM
    • JESSICA LABATTE
  • THE VIEWFINDER
    • FLORENCE HENRI
    • ILSE BING
    • RODCHENKO
  • RESOURCES
    • PUBLICATIONS AND BLOGS
    • MUSEUMS
    • ALTERNATIVE SPACES
    • GALLERIES
  • THE SHUTTER
    • HAROLD EDGERTON
    • PHILIP-LORCA diCORCIA
    • HIROSHI SUGIMOTO
    • EADWEARD MUYBRIDGE
    • O. WINSTON LINK
    • RONI HORN
  • STILL LIVES
    • LAURA LETINSKY
    • SUSAN WORSHAM
    • JESSICA LABATTE
  • THE VIEWFINDER
    • FLORENCE HENRI
    • ILSE BING
    • RODCHENKO
  • RESOURCES
    • PUBLICATIONS AND BLOGS
    • MUSEUMS
    • ALTERNATIVE SPACES
    • GALLERIES

SIX-TEN.ORG

UNIT ONE: LIGHT AND VISION

September 29, 2014  /  Eileen Mueller

Aspen Mays, December from the series The Sun 1957.

Aspen Mays, December from the series The Sun 1957.

The camera has a long history that precedes the fixed image. The history of optics and the development of the camera will be researched throughout this unit. Cameras will be re-introduced and students will review exposure control. From there the students will move into finite exposure control as they take an in depth look at the physical limitations of a light sensitive material and begin to understand the volumetric nature of a material's latitude.

Click here for our unit one plan.

Comment 0 Likes
Newer  /  September 29, 2014
BLACK SUN: ANSEL ADAMS
Older September 29, 2014
FALL SYLLABUS